Handel: Sosarme album review – Marco Angioloni makes the case for this little-known work

2026-02-12 - 15:15

Opéra Royal de Versailles/Angioloni (Château de Versailles Spectacles) Doubling as vocalist and conductor, Angiolini is joined by fine singers in this rarely recorded late work. Giacomo Nanni’s sonorous ‘Fra l’ombre e gl’orrori’ is a particular highlight Premiered in 1732, Sosarme is a bit of a sleeper among Handel’s mature operas, with only Anthony Lewis’s 1954 recording in the current catalogue. That’s a shame, as it possesses emotional depth as well as a swag of memorable arias. Contemporary audiences gave it a warm welcome, though the composer’s last-minute attempt to avoid a diplomatic faux pas by switching settings from medieval Portugal to mythical Lydia hasn’t helped its reputation. This lightly sprung performance from Opéra Royal de Versailles under conductor Marco Angioloni goes some way to rehabilitating the work, even if the engineered sound and edgy string tone are a little in-your-face. Rémy Brès-Feuillet is honey-toned in the title role, originally a vehicle for the great contralto castrato Senesino, with Sarah Charles suitably soubrettish as his beloved Elmira. Continue reading...